New poetry in MoroccoFrom the act of writing to the act of Inkitab

Abstract

Moroccan poetry has experienced one of its deepest transformations on the
creative and human levels, as it has sought to bring about changes at the
furthest levels of belonging. It has tried to struggle with its belonging to time
and the environment, and it has tried again to struggle with its social, political,
and realistic existence. It has also tried to belong to possibility and destiny, and
here it is. He comes into conflict with his only institution. Abandoning writing
is, in essence, abandoning collective voices that raise slogans of bloc and
defend established positions and principles inspired by Western thinking.
Instead, Moroccan poets chose another path. They chose to belong to the text,
as it is primarily Inkitab) When the poet is the text (and not just expressive,
semantic, or aesthetic writing. Belonging to the text means throwing yourself
into the arms of oneself and making it has write with an individual stance that
is distinguished by its own voice, and in doing so, It seeks to abandon all
arrangements in which its individual voice can be fused. That makes tracing
the path of Moroccan poetry and its changes from fron collective generational
poetry to the new sensibility, the focus of this research.
Keywords:

New poetry - new sensitivity - writing and Inkitab (When a writer becomes a
text (- generation - belonging.